A man sponges off an old comrade from the First World War who believes he has saved his life during the war, although this ultimately proves not to be true.

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Old Bill has grumbled his way through the trenches of the First World War. Now it is the Second and, envious of his son, Young Bill, he decides to enlist. He finally enters the Pioneer Corps, which is based near his son. When Young Bill goes missing during a raid, Old Bill shows that there's still life in the old dog yet!

The adventures of Old Bill and his friends Bert and Alf in the trenches of the first World War.

Bill, an intellectually disabled man, ventures out into the world for the first time, having spent most of his life in a dreary inner city institution. He is taken in by a kind family and learns what it means to love and be loved for the first time in his life.

Krapp’s Last Tape: James Hayes uses his natural Irish accent to deliver the best known of these works, a meditation on ageing. He plays the eponymous Krapp, a sad, lonely man recollecting emotion in tranquility with the assistance of a reel to reel tape recorder. Now somewhere near 70, he is reminded of the past, as a recording of his 39-year-old self recalls life a dozen years before. As such, we are able to glimpse the hope of relative youth, the acceptance of middle age failure and the resignation of an old man. The Old Tune: It features two old men sitting on a park bench next to a hurdy-gurdy and almost inevitably brings to mind the song from Gigi, “I Remember It Well”. As cars pass, irritating the men who fondly remember the days of horse-drawn carriages, every statement delivered by either Niall Buggy or David Threlfall, playing the grumpy septuagenarians, is instantly contradicted by his fellow, often to great humorous effect.

Carmelo and Maria have a baby girl. He wants a boy but another pregnancy would risk Maria's health. Eventually, Carmelo leaves Maria and she attempts to win him back.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

A sickly village girl wants to marry a house painter, who only prefers to fool around.

The illegitimate child, Marie Růžová, grows up in the family of the Bořický miller. Childhood and youth spend with the son of Bořice, Klement. Klement asserts the rights, becomes a lawyer, and marries Jirina. In order not to cause further contradictions, Mary will go to Prague secretly at night. There he is living heavily as a waitress. He resists the insults of architect Jansky until he ultimately decides to commit suicide in despair.